Minggu, 28 Juli 2013

[E790.Ebook] Ebook Download What I Talk About When I Talk About Running: A Memoir (Vintage International), by Haruki Murakami

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What I Talk About When I Talk About Running: A Memoir (Vintage International), by Haruki Murakami

An intimate look at writing, running, and the incredible way they intersect, from the incomparable, bestselling author Haruki Murakami.While simply training for New York City Marathon would be enough for most people, Haruki Murakami's decided to write about it as well. The result is a beautiful memoir about his intertwined obsessions with running and writing, full of vivid memories and insights, including the eureka moment when he decided to become a writer. By turns funny and sobering, playful and philosophical, What I Talk About When I Talk About Running is rich and revelatory, both for fans of this masterful yet guardedly private writer and for the exploding population of athletes who find similar satisfaction in athletic pursuit.

  • Sales Rank: #11354 in Books
  • Brand: Haruki Murakami
  • Published on: 2009-08-11
  • Released on: 2009-08-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .60" w x 5.10" l, .43 pounds
  • Binding: Paperback
  • 192 pages
Features
  • What I Talk about When I Talk about Running

From Publishers Weekly
Murakami's latest is a nonfiction work mostly concerned with his thoughts on the long-distance running he has engaged in for much of his adult life. Through a mix of adapted diary entries, old essays, reminiscences and life advice, Murakami crafts a charming little volume notable for its good-natured and intimate tone. While the subject matter is radically different from the fabulous and surreal fiction that Murakami (The Wind-Up Bird Chronicle) most often produces, longtime readers will recognize the source of the isolated, journeying protagonists of the author's novels in the formative running experiences recounted. Murakami's insistence on focusing almost exclusively on running can grow somewhat tedious over the course of the book, but discrete, absorbing episodes, such as a will-breaking 62-mile ultramarathon and a solo re-creation of the historic first marathon in Greece serve as dynamic and well-rendered highlights. Murakami offers precious little insight into much of his life as a writer, but what he does provide should be of value to those trying to understand the author's long and fruitful career. An early section recounting Murakami's transition from nightclub owner to novelist offers a particularly vivid picture of an artist soaring into flight for the first time. (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Haruki Murakami has established himself as one of the most interesting and innovative novelists of the last two decades, combining pop culture with a magic-realistic sensibility that has garnered the author a faithful following. What I Talk About When I Talk About Running couldn’t differ more from the rest of Murakami’s work. This slender volume catalogs the author’s love for that most solitary of athletic endeavors, though even Murakami’s prodigious talent as a writer can’t quite bridge the gap between the cultish world of hard-core running and a broader audience. This hit-and-miss effort—with something, literally, lost in the translation and some lazy writing—will be welcomed by a small (probably athletic) audience, but may not reach readers who aren’t already on board with Murakami or running.Copyright 2008 Bookmarks Publishing LLC

From Booklist
Aspects of Murakami’s sensibility, such as his love of music, can be discerned in his highly imaginative novels and short stories, yet it is startling to meet the author of such reality-warping works as The Wind-Up Bird Chronicle (1997) face-to-face in this beguiling and generous “memoir centered on the act of running.” Murakami began running soon after he sold his Tokyo jazz club to write full time. Now, more than a dozen books and 20 marathons later, he considers the ways running engenders “focus and endurance, qualities essential for writing.” The propelling story line is Murakami’s account of his rigorous training for the 2005 New York marathon. But he drops back often to recount such adventures as his exhausting run in Greece between Athens and Marathon and the unexpected repercussions of an ultramarathon (62 miles). He also ponders the frustrations and revelations of age and shares his love for American literature, including Raymond Carver’s What We Talk about When We Talk about Love (1981), which inspired the title of this meditative book of life lessons, artistic revelations, and humble self-analysis. “Most of what I know about writing I’ve learned through running every day,” writes Murakami, a splendidly creative and compassionate writer who lives a disciplined life in order to infuse his fiction with wildness. --Donna Seaman

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8 of 8 people found the following review helpful.
I loved most of it
By Stephanie
I’ve never read a Murakami novel before so I had no idea what to expect from his running memoir. I’d seen it on the bookshelf of a number of runners so as I started training for my first marathon a few weeks ago, I picked up the book as well.

I loved most of it. I found his philosophy with both running and writing to be similar to mine. There are many things that someone who’s not an endurance athlete can’t understand so maybe this book speaks to a narrow audience. But I’m glad to be a member of that audience. I found myself nodding along. I’d read a free sample on my Kindle, then found a used paperback to buy so I could underline passages and make notes in the margin. I loved this book so much I penciled it up.

Now that I’ve seen this glimpse into his mind I want to try his novels, too.

I would not say this is “equal parts training log, travelogue, and reminiscence,” as the book description does. It includes all those things, but not in equal parts. It’s a series of essays that he wrote, mostly during his training for the 2005 New York City Marathon, but the memories take him to other races and other periods of his life, and on a whirlwind tour of his stomping grounds across Hawaii, Boston, Greece, and Japan.

6 of 6 people found the following review helpful.
As a runner, I loved it, and recommend it to fellow runners! Maybe nonrunners too.
By E.M.B.
I almost could have written this book... if I were as talented a writer as Mr Murakami, of course. As a runner, I related to this book very much, often finding myself nodding or chuckling to myself because I totally understand what the author is talking about as he talks (writes) about running and his experience in participating in the sport over many years. I admit I was unsure that I would like this book based on some of the reviews, but so many fellow runners had recommended it that I finally picked it up, and I am so glad I did. It was a relatively quick read, too. At a few points I even found myself tearing up because I've had some similar experiences as the author. I won't spoil the book by listing them here, but if you are a relatively competitive age-group runner/triathlete, you will likely find much in common with Mr Murakami's experiences and thoughts as described in this book. I wouldn't say that it gave me any more or less motivation to run, but it did help remind me of why I love running, and why so many other people do, too.

9 of 9 people found the following review helpful.
Food For The Creative Professional Soul
By Brian Jones
I have this theory that goes like this: sometimes we find books, and sometimes books find us.

Oftentimes I'll pick up a book, read a few lines, and quickly close the covers. I'll instinctively know that no matter how much I want to read it that that book's message was meant for a later time. And sure enough, years later, I'll spot the book on the corner of my shelf and be moved to pick it up, only to find exactly what I needed to hear. It's funny how life, and reading, works that way.

Other times I'll find a book in the most random way - through a footnote or a random citation in an obscure periodical, for instance - and that book's message will be exactly what I needed to hear at that moment in my life. That was certainly the case with Japanese novelist Karuki Murakami's wonderful little book, What I Talk About When I Talk About Running.

While training for the New York City Marathon Japanese novelist Haruki Murakami decided to write about it as well. What materialized was a unique memoir that discusses his twin passions of writing and running, and the interesting way they nurture and inform each other.

I've been struggling as of late staying focused on the hard work of writing, so when I opened the book and read the following lines I knew that a message that I needed to hear had found me:

"One runner told of a mantra his older brother, also a runner, had taught him which he's pondered ever since he began running. Here it is: Pain is inevitable. Suffering is optional. Say you're running and you start to think, Man this hurts, I can't take it anymore. The hurt part is an unavoidable reality, but whether or not you can stand any more is up to the runner himself. This pretty much sums up the most important aspect of marathon running."

If you feel called to creative work, and are struggling with finding the discipline necessary to create a body of work, you'll find this playful, oftentimes philosophical memoir food for your soul.

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Rabu, 24 Juli 2013

[W605.Ebook] PDF Ebook Living with Difference: How to Build Community in a Divided World (California Series in Public Anthropology), by Adam B. Seligman, Rahel R

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Living with Difference: How to Build Community in a Divided World (California Series in Public Anthropology), by Adam B. Seligman, Rahel R

Whether looking at divided cities or working with populations on the margins of society, a growing number of engaged academics have reached out to communities around the world to address the practical problems of living with difference. This book explores the challenges and necessities of accommodating difference, however difficult and uncomfortable such accommodation may be. Drawing on fourteen years of theoretical insights and unique pedagogy, CEDAR—Communities Engaging with Difference and Religion—has worked internationally with community leaders, activists, and other partners to take the insights of anthropology out of the classroom and into the world. Rather than addressing conflict by emphasizing what is shared, Living with Difference argues for the centrality of difference in creating community, seeking ways not to overcome or deny differences but to live with and within them in a self-reflective space and practice. This volume also includes a manual for organizers to implement CEDAR’s strategies in their own communities.

  • Sales Rank: #200808 in Books
  • Published on: 2016-01-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 6.00" l, .70 pounds
  • Binding: Paperback
  • 232 pages

From the Inside Flap
"The authors have the�courage as well as the philosophical skills to challenge the�sentimentalities designed to help us all to just�'get along.'�Instead, they draw on their pedagogical experience to provide an account of how difference can be�lived.�This fascinating book has the potential to change the discussion about�how we might live at peace without the peace achieved occluding our�rightly lasting differences."—Stanley Hauerwas,�Professor Emeritus of Divinity and Law at Duke University

"Both a work of scholarship of value to the academy and a practical guide for improving intergroup relations. The material is fresh and the work innovative, with new and illuminating insights. I cannot think of a comparable work.”—David Smock, Vice President of the U.S. Institute of Peace

"This book challenges readers to engage intellectual and human experiential resources to acquire empathy and celebrate differences as part of the knowledge of the self.�An interdependent and interconnected reality can be realized when we interact with others in fully authentic ways."—Abdulaziz Sachedina,�Professor of Islamic Studies at George Mason University

About the Author
Adam B. Seligman is Director of CEDAR and Professor of Religion at Boston University.

Rahel R. Wasserfall is Director of Training and Evaluation for CEDAR and a resident scholar at the Women’s Studies Research Center at Brandeis University.

David W. Montgomery is Director of Program Development for CEDAR.

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Arthur Asa Berger elucidates narrative theory and applies it to readers' everyday experiences with popular forms of mass media. This unique book demonstrates how to interpret narratives while presenting the analysis in an accessible manner.

  • Sales Rank: #1776560 in Books
  • Brand: Brand: SAGE Publications, Inc.
  • Published on: 1996-09-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .54" w x 6.00" l, .78 pounds
  • Binding: Paperback
  • 214 pages
Features
  • Used Book in Good Condition

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Senin, 15 Juli 2013

[H195.Ebook] Download PDF Contending Economic Theories: Neoclassical, Keynesian, and Marxian

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Contending Economic Theories: Neoclassical, Keynesian, and Marxian

  • Published on: 1600
  • Binding: Paperback

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Jumat, 12 Juli 2013

[Y886.Ebook] Download Shelley's Poetry and Prose (Norton Critical Edition), by Percy Bysshe Shelley

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Shelley's Poetry and Prose (Norton Critical Edition), by Percy Bysshe Shelley

This Second Edition is based on the authoritative texts chosen by the editors from their scholarly edition of The Complete Poetry of Percy Bysshe Shelley.

Each selection has been thoroughly reedited, and the order of the poems has been rearranged in light of redating or other reconsiderations. All headnotes are new or updated, and many footnotes have been added, replaced, or revised.

"Criticism" reflects the recent renaissance in Shelley studies, the greatest renaissance since 1870-92. All twenty-three essays are new to the Second Edition; among them are the work of Harold Bloom, Stuart Curran, Annette Wheeler Cafarelli, Michael Ferber, James Chandler, and Susan J. Wolfson.

A Chronology, an updated Selected Bibliography, and an Index of Titles and First Lines are included.

  • Sales Rank: #43032 in Books
  • Color: Multicolor
  • Published on: 2002-01-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.00" w x 5.70" l, 1.49 pounds
  • Binding: Paperback
  • 816 pages

About the Author
Neil Fraistat is Professor of English at the University of Maryland and a founder and General Editor of the Romantic Circles website. He is co-editor of The Complete Poetry of Percy Bysshe Shelley, of Textual Studies in the Late Age of Print, and of Helen Maria Williams' Letters Written in France. He is recipient of the Society for Textual Scholarship's Fredson Bowers Memorial Prize and the Keats-Shelley Association's Distinguished Scholar Award.

Donald H. Reiman, Adjunct Professor of English at the University of Delaware, is co-editor of Shelley and His Circle at the Carl H. Pforzheimer Collection, New York Public Library. He is a director and officer of the Keats-Shelley Association of America, founder of the Wordsworth-Coleridge Association, a founding director of the Society for Textual Scholarship and the Byron Society of America, and a founder of the Romantic Circles website. He has written, edited, or co-edited some 200 volumes of literary and textual criticism.

Most helpful customer reviews

51 of 52 people found the following review helpful.
Indispensable
By A Customer
If you only buy one book of Shelley's works -- make it this one.
This edition contains all Shelley's major poetry, as well as three essays (see table of contents on this page).
The bonus is that, as this is a critical edition, it also contains 15 brief critical essays, which are among the best explications you'll find of Shelley's work. (Since it's a critical edition, the poems are also heavily footnoted, something you'll either love or hate.)
The only downside is that a number of Shelley's shorter and lighter poems are absent (e.g., "Love's Philosophy"), and only a small portion of "Laon and Cyntha" appears here -- but overall the selection is solid. And, like all the Norton critical editions, this is printed on decent paper, eye-straining, tissue-thin stock found in some other volumes.
Perfect for those new to Shelley as well as long-time devotees.

64 of 70 people found the following review helpful.
Pure Intellectual Beauty
By A Customer
Shelley is the wild child of English poetry and his determined opposition to tyranny produced a huge variety of poetry, ranging from the rending lament of Keats in Adonais, to the defiant and taut sonnet Ozymandias. His single greatest work, however, is Prometheus Unbound, which a vast gothic ruin of neat poetry. One shot of it and you'll wonder why a) all the nice, obvious prosy bits seem to have been left out and b) why exactly you love it, and him, so much. Like a cross between a vision of God and a lobotomy.
It's strange, but he means it and the grand sweep of the poem and its rebirth of humanity (I did say this isn't kitchen sink drama) is as distinctive an experience as reading Milton for the first time or the first time you read a love letter in the bath. Holding an electric fire.
There are many other poems which should be headline news, such as Hymn to Intellectual Beauty, Mont Blanc, Mutability and Ode to the West Wind, but this edition also has the advantage of including the Defence of Poetry which is the most rhapsodic and emotive arguments you'll ever have the pleasure to be swept away by. For a second you want to believe the beautiful nonsense that 'poets are the unackowledged legislators of the world'. Shelley pulls no punches in prose because he hasn't pulled any in poetry. He believes in the prophetic importance of his role and is electric enough to almost make us belive him.
This is the best student edition of Shelley's works in print. Not according to me, but to a Professor in Romantic Poetry at Oxford University. Not a bad recommendation!
The essays in this volume are generally helpful and explain the structures of the poems where useful. They are also refreshingly short. Shelley is a poet who has run close to obscurity due to reams of bad criticism (by figures as famous as Matthew Arnold and FR Leavis) who have mistaken his extraordinary originality for weakness. An easy mistake, I'm sure. Shelley's poetry is all in the mind, and the lack of concreteness can be frustrating. A bit like flying can be so much more tiresome than walking.

30 of 32 people found the following review helpful.
A Simple List
By J. Schindler
This text is a great one, as are all of the Norton anthologies that I have bought over the years. The works it contains are as follows:

Poetry:

"Queen Mab"

"Alastor"

"Stanzas -- April, 1814"

"Mutability"

"To Wordsworth"

"Hymn to Intellectual Beauty"

"Mont Blanc"

Excerpts from "Laon and Cynthia"

"To Constantia"

"Ozymandias"

"Lines written among the Euganean Hills"

"Julian and Maddalo"

"Stanza written in Dejection"

"The Two Spirits -- an Allegory"

"The Cenci"

"Prometheus Unbound"

"The Sensitive-Plant"

"Ode to Heaven"

"Ode to the West Wind"

"The Cloud"

"To a Sky-Lark"

"Ode to Liberty"

"The Mask of Anarchy"

"England in 1819"

"Sonnet: To the Republic of Benevento"

"Sonnet ('Lift not the painted veil')"

"Sonnet ('Ye hasten to the grave!')"

"Letter to Maria Gisborne"

"Peter Bell the Third"

"The Witch of Atlas"

"Song of Apollo"

"Song of Pan"

"Epipsychidion"

"Adonais"

"Hellas"

"Written on Hearing the News of the Death of Napoleon"

"The Indian Girl's Song"

"Song ('Rarely, rarely comest thou')"

"The Flower that Smiles Today"

"Memory"

"To ------ ('Music, when soft voices die')"

"When Passion's Trance Is Overpast"

"To Jane. The Invitation"

"To Jane. The Recollection"

"One Word Is Too Often Profaned"

"The Serpent Is Shut Out from Paradise Lost"

"With a Guitar. To Jane."

"To Jane ('The keen stars were twinkling')"

"Lines written in the Bay of Lerici

"The Triumph of Life"

Prose:

"On Love"

"On Life"

"A Defence of Poetry"

As per Norton tradition, most of the major works and some of the lesser ones have an introduction before them in which historical context is given, major themes explained, and important images or ideas are revealed. This collection also contains twenty-two critical essays by scholars such as Harold Bloom, Michael O'Neill, and Susan J. Wolfson, on Shelley and his life and art, including eleven work-specific critical essays.

What a great collection!

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